Brooke Ence posing in a purple athletic crop top, with visibly muscular arms and shoulders against a light background

The Strength and Gymnastics Demands Behind Brooke Ence’s Upper Body

UPLIFT IRON CLUB

From Dance to the Games: Why Brooke Ence Needed More Than Big Arms

Brooke Ence holding a loaded barbell overhead in a deep squat at a CrossFit competition, wearing a blue tank top

Brooke Ence is often discussed as an example of a muscular female athlete, but the more interesting story is what that upper body was expected to do. Before she became known for elite CrossFit competition, she had a background in dance and several sports. Movement coordination was already part of her athletic education. When she embraced CrossFit, the challenge became combining that coordination with heavier lifting, gymnastics skills, conditioning and repeated efforts under fatigue.

Her breakout season in 2015 made the distinction visible. Ence won the California Regional and finished 14th in her first individual CrossFit Games appearance. She also won the women's snatch speed ladder and clean-and-jerk events. Those results highlight exceptional barbell performance, but a Games athlete cannot specialize in one beautiful lift and call the job finished. The same competition environment can demand hanging from a bar, controlling body weight on rings, stabilizing overhead, running, carrying, climbing and then returning to a heavy barbell.

That mixture explains why a powerful upper body in functional fitness looks different from a physique built solely around isolation exercises. A developed back helps produce vertical pulling force. Deltoids and triceps contribute to overhead work. The chest, lats and arms cooperate during a muscle-up. The trunk transfers force and keeps the rib cage and pelvis organized. Hands and forearms may become the limiting factor long before the largest muscles reach exhaustion. No single muscle is the whole answer.

It is also important not to reverse-engineer a private workout routine from photographs. Visible shoulders do not prove exactly how many sets of pressing someone performs, and an impressive muscle-up does not tell us their current training frequency. Ence has discussed years of consistent training and the need to build volume gradually. The sensible lesson is about demands and progression, not a claim that everyone should train like a professional competitor.

For an ordinary lifter, the useful question is whether the shoulders can express strength in several directions. Can you pull your body toward a fixed bar without swinging? Can you press overhead while keeping your ribs controlled? Can you support your body on parallel bars or rings? Can you maintain those positions when breathing hard without losing basic mechanics? These are separate capacities, and they can be trained separately before being combined.

A simple baseline is more informative than an arm measurement: record a clean strict pull-up or its assisted equivalent, a controlled overhead press, a stable support hold and a hollow-body hold. Repeat the same tests after six weeks. Better positions, stronger reps and more repeatable work are real progress even when the mirror has not dramatically changed. The physique may be the advertisement; the ability to use it is the product.

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Strict Pulling: The Foundation for High-Skill Gymnastics

Brooke Ence pulling her upper chest toward a horizontal bar during a controlled pull-up in a dark gym

Pull-ups are the obvious entry point when someone wants the kind of upper-body ability associated with Ence. They train the lats, upper back, elbow flexors, grip and the trunk's ability to resist unwanted motion. Yet the important distinction is not between doing lots of pull-ups and doing none. It is between owning the movement and borrowing momentum to get through it.

In a strict repetition, the athlete begins from a controlled hang, initiates the pull without a large hip swing, brings the chin above the bar and returns under control. The shoulder blades move rather than remaining rigidly pinned, and the torso stays organized. The exercise can be made harder with added weight, longer pauses or a greater controlled range of motion. It can be made easier with a foot-supported setup, an assisted machine or a cable pulldown. The goal is to select a version that allows full, repeatable work.

That base matters because dynamic gymnastics movements expose weaknesses quickly. If an athlete cannot control their shoulder and elbow positions during a slow pull, adding a fast swing increases the coordination and loading challenge rather than solving it. Kipping and butterfly pull-ups are distinct competition skills; they are not magic replacements for strength development. An athlete may learn swing mechanics separately, but should earn enough strict pulling capacity before performing repeated dynamic reps.

For practical programming, begin with three to five sets of four to eight controlled pulls, using enough assistance to leave one or two technically sound repetitions available. Add two or three sets of horizontal rows for eight to twelve repetitions. Finish with two sets of short active hangs or scapular pull-up drills, where the arms stay long while the shoulders move from a relaxed to a supported position. Keep the grip secure and stop before an uncontrolled drop.

If your first pull-up is still out of reach, do not spend months failing the same attempt. Use a progression that can be measured. Choose a level of assistance, record the exact setup, and gradually reduce the assistance while preserving range of motion. Alternatively, progress from ring rows with feet closer to the anchor toward a more horizontal body angle. Negative repetitions can help, but excessive slow descents can create soreness that interferes with the next session. Two or three quality sessions per week beat one heroic session followed by days of angry elbows.

Grip deserves its own attention. A person may have enough back strength to pull but lose the bar because the fingers fatigue first. Short hangs, farmer's carries and appropriately loaded rows can build tolerance without turning every workout into a grip contest. Chalk may improve friction, but it cannot replace tissue adaptation or sound technique.

Track more than the total number of reps. Record whether the first and last repetitions reached the same height, whether the descent remained controlled and whether one shoulder shifted more than the other. Those details tell you whether the strength is usable. A set of five consistent strict pull-ups is a better launchpad for gymnastics than fifteen frantic partial repetitions that happen to be counted.

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Bar and Ring Muscle-Ups: Strength Meets Timing

Brooke Ence above a pull-up bar during a bar muscle-up at an indoor functional fitness event

A muscle-up looks like a pull-up that simply continues until the athlete ends up above the bar or rings. In reality, the transition changes the movement. The athlete must generate enough height, bring the torso over the support and then press into a stable lockout. The pulling phase, transition and dip are related but different problems. That is why someone can have an impressive weighted pull-up and still struggle to complete a clean muscle-up.

On a fixed bar, the body travels around a relatively stable object. The athlete must pull high enough and manage the transition without throwing one elbow over early. On rings, the support itself moves, increasing the need for shoulder stability, grip control and symmetrical pressing. A false grip can help with strict ring transitions, but it takes practice and can be uncomfortable initially. The rings should not swing wildly while the athlete searches for a way out of a weak position.

Ence has demonstrated the kind of bar and ring control associated with advanced CrossFit gymnastics. The useful takeaway is not to copy the speed of an elite demonstration. It is to identify the phase that limits you. If the pull stops at chin height, build high pulls and stronger strict pulling. If the chest rises high enough but the elbows cannot move through, practice a low-ring or foot-assisted transition. If the athlete gets above the support but collapses, improve strict dips and stable support holds.

One simple prerequisite checklist is several clean strict pull-ups, several controlled dips and the ability to hold a stable hollow position. Those are coaching benchmarks, not universal medical clearance or a guarantee of success. An athlete with previous shoulder trouble may need a different progression entirely. For beginners, a low bar or low rings with the feet assisting allows the transition to be rehearsed without turning every attempt into a maximal ballistic effort.

A useful skill session might include three sets of three high-pull attempts, three sets of three to five foot-assisted transitions and three sets of four to six dips. Rest enough to preserve precision. If a transition repeatedly twists to one side, reduce the difficulty rather than forcing the same crooked repetition. The athlete should learn to move both elbows through together and finish with a stable, deliberate lockout.

Kipping adds a different layer. A well-timed hollow-to-arch swing can create upward momentum and reduce the strict pulling demand during a competition repetition. It also requires a strong active shoulder, a predictable swing and the ability to manage forces on the return. Practicing the swing is legitimate skill work, but racing through fatigued kipping muscle-ups before basic capacity exists is a poor shortcut. High skill and high fatigue are two different training variables; increase one at a time.

For muscle growth alone, ordinary rows, pulldowns, pull-ups and dips may be simpler to load and progress. Muscle-ups are worth pursuing because they combine strength with a demanding movement skill, not because they are uniquely magical for hypertrophy. Keep that distinction clear and your shoulders will have a better chance of enjoying the process.

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Overhead Pressing: Building Shoulders That Can Work

Brooke Ence supporting a loaded barbell overhead with straight arms during an outdoor strength session

The shoulders that attract attention in an athletic photograph must do far more than raise the arms to the side. In CrossFit, the overhead position can appear in strict presses, push presses, jerks, snatches, carries and bodyweight inversions. These tasks share a demand for force and control, but their timing and loading differ. A heavy barbell jerk is not the same skill as a handstand push-up, even though both end with the arms supporting load overhead.

Ence's 2015 Games lifting performances show what exceptional barbell skill can look like. Her clean-and-jerk win required lower-body drive, a rapid transfer of force and a secure overhead receiving position. That does not mean every recreational lifter needs to practice Olympic lifting to build strong shoulders. A strict dumbbell or barbell press, performed through a comfortable range of motion, is a much more accessible way to develop pressing strength and track progression.

Start by organizing the torso. Keep the ribs from flaring excessively, brace the abdomen and allow the shoulder blades to rotate upward as the arms travel overhead. Forcing the shoulders down and back throughout the entire press can interfere with natural scapular movement. The head moves out of the bar path and returns beneath the arms at lockout. A dumbbell variation lets the hands find a comfortable orientation, which can be useful when a straight bar feels restrictive.

Pressing strength also depends on the muscles that stabilize the shoulder joint. The rotator cuff helps control the upper arm, while the serratus anterior and trapezius contribute to scapular motion. These muscles are not developed by one secret isolation drill. They benefit from appropriately loaded pressing, rowing, carries and specific low-load exercises when a weakness has been identified. A person who only chases a bigger overhead press while ignoring the rest of the shoulder complex may build impressive numbers without building the movement options they want.

For a balanced session, use three to four sets of five to eight strict overhead presses, two or three sets of eight to twelve rows, and a small amount of controlled accessory work such as lateral raises or face pulls. Keep a few reps in reserve on the primary lifts when gymnastics practice follows. Heavy pressing immediately before a first attempt at inverted balance is an excellent way to discover that fatigue makes coordination worse.

When introducing push presses or jerks, distinguish leg drive from a soft overhead finish. A powerful dip and drive can move the bar, but the athlete must still receive and stabilize it. Add speed only after the overhead path and receiving position are repeatable at a manageable load. The objective is to own the lockout rather than simply survive it.

There is a simple test for useful shoulder strength: can you hold a light weight overhead while walking slowly, breathing normally and keeping the arm stable without arching the lower back? That exercise will not replace heavy lifting, but it reveals whether the position is actually controlled. In an athlete like Ence, strength and coordination meet at precisely that point.

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Handstands, Hollow Positions and Core Control

Female CrossFit athlete balancing on her hands on blue competition mats during an inverted gymnastics obstacle

Handstand work is where the idea of upper-body strength becomes almost misleadingly simple. The shoulders must support much of the body's weight, but strength alone cannot keep an inverted athlete balanced. The wrists manage pressure, the shoulder blades actively elevate and rotate, the trunk resists unwanted arching, and the hips and legs influence the center of mass. Someone can press heavy dumbbells yet struggle to hold a wall handstand because the skill demands a different kind of control.

For that reason, start with positions before repetitions. A solid plank teaches a straight body line. A pike hold with the feet on the floor moves more weight toward the hands. An elevated pike hold increases the demand while preserving an easy exit. A wall-facing handstand can teach a stacked line, but only when the athlete has enough shoulder mobility, wrist tolerance and confidence to enter and leave the position safely. Freestanding attempts belong in an open area with a trained spotter or coach and a practiced exit.

A handstand push-up adds controlled elbow flexion and pressing from an inverted position. That increases both strength demand and the consequence of losing control. A useful progression is ordinary push-ups, pike push-ups, elevated pike presses, short wall holds and eventually partial-range inverted pressing under appropriate supervision. There is no prize for dropping onto the head to claim a rep. Keep the descent controlled, and stop when the neck, shoulders or wrists cannot maintain safe positions.

Handstand walking adds locomotion. The athlete must shift weight toward one palm, lift the other hand, move it and reestablish balance without the legs turning into a wild counterweight. Short, precise transfers are more valuable early than long distances covered by frantic steps. Practice two or three sets of wall-supported weight shifts, then brief free-standing steps if ready. Treat this as coordination training while fresh rather than a punishment at the end of a shoulder workout.

The core work that supports these skills is not just a quest for visible abs. A hollow-body position teaches the rib cage and pelvis to stay organized while the limbs extend. Toes-to-bar adds hanging grip and shoulder control to repeated hip flexion. Ring support demands resistance to wobble in several planes. These exercises load the trunk differently, so they should not be treated as interchangeable.

A simple core progression is three sets of twenty-second hollow holds, then controlled hanging knee raises for six to ten reps, followed later by toes-to-bar practice when the hanging position and swing mechanics are consistent. For ring support, begin with the feet assisting and work toward three stable ten-to-twenty-second holds before introducing deeper dips. Quality matters because a shaky position under fatigue can become a shoulder problem rather than a core workout.

The most useful weekly habit is a short skill block before heavy training. Ten focused minutes of inversion practice, repeated twice a week, often teaches more than one exhausted marathon session. It also makes the process enjoyable: a clean five-second balance or controlled knee raise is a real achievement, even if it does not look dramatic on a highlight reel.

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Shoulder Setbacks, Recovery and Smart Training Volume

Brooke Ence holding a barbell in a front-rack position with her upper arms and shoulders visible during gym training

The difficult part of copying an elite athlete is that the camera shows the successful repetition, not the months of preparation, the rest periods or the decisions to stop. Ence's career also illustrates why recovery cannot be treated as an optional accessory. She underwent neck surgery in 2017 and faced a reported left-shoulder labrum injury during her 2018 regional comeback. Those are historical facts, not evidence of any current medical limitation, and they are certainly not a prescription for other athletes to train through similar problems.

Overhead lifting, ring support and kipping movements can place very different demands on the shoulder. A controlled strict press may be tolerable when a fast transition is not; a hanging exercise may irritate a joint that feels fine during horizontal rowing. Pain is not a useful score to beat. Sharp pain, instability, numbness or persistent symptoms deserve evaluation from an appropriately qualified clinician. A workout article cannot diagnose a shoulder injury or decide when a person is ready to return to high-skill gymnastics.

For healthy athletes, the main programming mistake is piling every demanding movement into the same day. Heavy presses, strict pull-ups, kipping muscle-ups, handstand push-ups and high-volume ring dips all use overlapping tissues. The nervous system may feel enthusiastic long after the elbows, wrists and shoulders have accumulated more work than they can recover from. Spreading the stress across the week lets the same athlete practice skills more frequently with better quality.

Think in terms of hard sets and high-impact skill exposures. Two or three sets of careful ring transitions can be productive; dozens of failed attempts can add fatigue without teaching the intended movement. A short overhead skill block may be enough when heavy pressing is already planned. The goal is not to maximize the number of exercises on the whiteboard. It is to maximize useful adaptation between sessions.

Use a simple recovery audit. Track sleep, soreness, joint discomfort, performance and motivation. A small performance dip after one hard day is normal, but declining quality across several sessions suggests the workload may be too high. Reduce volume, intensity or skill complexity before an irritation becomes a prolonged interruption. When an exercise is consistently uncomfortable, substitute a related pattern rather than forcing the same variation out of stubbornness.

Nutrition and rest matter as much as exercise selection. Enough total energy supports training, sufficient protein helps muscle repair, and carbohydrates can make repeated high-output sessions more manageable. Hydration and regular sleep are unglamorous but highly useful. Elite competitors often have more time and resources to recover than someone squeezing workouts between a job and family obligations. The latter should scale the training dose accordingly.

Perhaps the most valuable lesson is that progression is not linear. A week spent rebuilding shoulder control or improving a strict pull-up is not wasted because it lacks a flashy personal record. Long-term strength comes from accumulating quality work while remaining healthy enough to repeat it. A strong upper body is one that can still perform next month, not one that wins a single reckless session.

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A Six-Week Upper-Body Gymnastics Strength Plan

Brooke Ence holding a battle rope during an upper-body conditioning session in a gym

The following is an original, recreational training template inspired by the physical demands discussed above, not Brooke Ence's personal routine. It assumes a generally healthy adult who can train three nonconsecutive days each week and has access to a pull-up bar, basic weights and, optionally, rings. Choose regressions that preserve comfortable movement. If you have a history of neck, shoulder or wrist injury, get individualized guidance before adding inverted or ballistic skills.

Day A — strict pulling and trunk control. Start with five to eight minutes of easy movement, shoulder circles and light scapular drills. Practice three sets of five to ten seconds of active hanging. Then perform four sets of four to eight strict pull-ups, assisted pull-ups or pulldowns. Add three sets of eight to twelve chest-supported or ring rows. Finish with three sets of six to ten controlled hanging knee raises and two sets of twenty-to-thirty-second farmer's carries. Rest about two minutes between the hardest pulling sets. Stop each set before form becomes erratic.

Day B — overhead strength and inversion basics. Warm up the wrists and shoulders gradually. Practice three to five short pike holds or wall-facing handstand holds of ten to twenty seconds, using an easy exit. Perform four sets of five to eight strict dumbbell presses, followed by three sets of eight to twelve horizontal rows. Add two sets of ten to fifteen controlled lateral raises and two sets of eight to twelve light face pulls or band pull-aparts. Finish with three twenty-second hollow-body holds. This is a strength and position day, not a handstand-push-up contest.

Day C — support strength and mixed-modal practice. Begin with three rounds of low-ring, foot-assisted muscle-up transitions for three to five technically clean reps, or use a simple pull-up-to-dip combination if rings are unavailable. Add three sets of four to eight controlled parallel-bar dips or push-ups, and three sets of six to ten single-arm dumbbell rows. Finish with a six-to-eight-minute easy interval alternating short bouts of rowing or cycling with controlled bodyweight movements. Keep the conditioning below the intensity that would destroy the quality of your support positions.

Weeks 1–2: establish positions. Use conservative loads and generous assistance. Record the exact setup, repetition quality and any discomfort. Beginners can replace inversion work with pike holds and replace ring transitions with ring rows plus supported dips. Leave two or three repetitions in reserve on most strength sets. The objective is consistency, not a dramatic first-week score.

Weeks 3–4: progress one variable. Add a repetition per set, reduce assistance slightly or increase the weight by a small amount when all previous sets were controlled. Do not change all three variables together. For skill work, increase the quality of the position before increasing time under tension. A person who can hold a wall handstand for twenty steady seconds does not automatically need to attempt a freestanding handstand push-up.

Week 5: practice expression. Keep the same basic structure but allow a modestly harder strict pull-up variation or an additional technically clean transition set if recovery is excellent. Advanced trainees may practice a few high pulls or brief free-standing handstand transfers with appropriate coaching. Keep dynamic repetitions low and avoid adding a maximal gymnastics challenge after exhausting the shoulders.

Week 6: reduce fatigue and retest. Cut accessory volume by roughly one-third to one-half early in the week. Later, repeat the baseline strict pulling, overhead pressing, support hold and hollow hold tests under comparable conditions. Look for stronger controlled reps, longer stable holds or less assistance. Record whether the shoulders and elbows feel as good as they did at the start. A new skill performed with pain is not a successful outcome.

There are two useful ways to adjust this plan. If you mainly want bigger shoulders and back muscles, prioritize progressive presses, rows and pull-ups, keeping gymnastics as a short optional skill block. If you mainly want a muscle-up or handstand, practice that skill early while fresh and reduce other upper-body volume to make room. Both approaches can build an athletic upper body. Neither requires pretending to live the schedule of a Games competitor.

Brooke Ence's example is compelling because the visible strength has an obvious purpose. The best imitation is not a photograph or an impossible workout volume. It is the patient combination of strict strength, coordination, appropriate exposure to difficult skills and enough recovery to keep improving.

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